2013년 11월 23일 토요일

오전 5:10

By Julissa Crowell

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About 'sherlock holmes mysteries'|Peeling the Onion: The Continuing Mystery of Sherlock Holmes, H.P. Lovecraft, and Twin Peaks







About 'sherlock holmes mysteries'|Peeling the Onion: The Continuing Mystery of Sherlock Holmes, H.P. Lovecraft, and Twin Peaks








Ｒｏｂｅｒｔ               Ｃａｒｖｅｒ               ｈｉｍｓｅｌｆ               ａｄｍｉｔｔｅｄ               ｔｏ               ｂｅｉｎｇ               ｈｅａｖｉｌｙ               ｉｎｆｌｕｅｎｃｅｄ               ｂｙ               Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ'ｓ               ａｐｐｒｏａｃｈ               ｔｏ               ｗｒｉｔｉｎｇ               ｉｎ               ｗｈｉｃｈ               ｗｈａｔ               ｉｓｎ'ｔ               ｓａｉｄ               ｉｓ               ｐｅｒｈａｐｓ               ｅｖｅｎ               ｍｏｒｅ               ｉｍｐｏｒｔａｎｔ               ｔｈａｔ               ｗｈａｔ               ｉｓ               ｓａｉｄ.

Ｈｅｍｉｎｇｗａｙ               ｒｅｆｅｒｒｅｄ               ｔｏ               ｔｈｉｓ               ｓｔｙｌｅ               ａｓ               ａｎ               "ｉｃｅｂｅｒｇ"               ａｐｐｒｏａｃｈ               ｂｅｃａｕｓｅ               ｔｈｅ               ｒｅａｄｅｒ               ｉｓ               ｏｎｌｙ               ｇｅｔｔｉｎｇ               ａ               ｓｍａｌｌ               ｐｏｒｔｉｏｎ               ｏｆ               ａ               ｍｕｃｈ               ｂｉｇｇｅｒ               ｐｉｃｔｕｒｅ.

(Ｏｆ               ｃｏｕｒｓｅ,               ａｎｏｔｈｅｒ               ｗａｙ               ｔｏ               ｌｏｏｋ               ａｔ               ｉｔ               ｉｓ               ｆｒｏｍ               ｔｈｅ               ｐｅｒｓｐｅｃｔｉｖｅ               ｏｆ               ｂｅｉｎｇ               ｔｏｏ               ｌａｚｙ               ｏｒ               ｕｎｃｒｅａｔｉｖｅ               ｔｏ               ｗｒｉｔｅ               ａ               ｗｈｏｌｅ               ｓｔｏｒｙ               ｓｏ               ｙｏｕ               ｐａｗｎ               ｒｅｓｐｏｎｓｉｂｉｌｉｔｙ               ｏｆｆ               ｏｎ               ｙｏｕｒ               ｒｅａｄｅｒｓ,               ｂｕｔ               ｔｈａｔ'ｓ               ｊｕｓｔ               ｍｙ               ｔａｋｅ               ｏｎ               ｔｈｅ               ｃｈｏｒｅ               ｔｈａｔ               ｉｔ               ｉｓ               ｒｅａｄｉｎｇ               Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ.)               Ｒｅｇａｒｄｌｅｓｓ,               ｉｔ               ｉｓ,               ｏｆ               ｃｏｕｒｓｅ,               ａ               ｄａｎｇｅｒｏｕｓ               ａｅｓｔｈｅｔｉｃ               ｏｎ               ｗｈｉｃｈ               ｔｏ               ｈａｎｇ               ｕｎｄｅｒｓｔａｎｄｉｎｇ               ｏｆ               ｙｏｕｒ               ｌｉｔｅｒａｒｙ               ｅｎｄｅａｖｏｒ,               ａｓｓｕｍｉｎｇ               ａｓ               ｉｔ               ｄｏｅｓ               ｔｈａｔ               ａｎ               ａｕｄｉｅｎｃｅ               ｗｉｌｌ               ｂｅ               ｃａｐａｂｌｅ               ｏｆ               ｃｏｎｎｅｃｔｉｎｇ               ｐｏｉｎｔｓ               ｔｈａｔ               ａｒｅ               ｎｏｔ               ｅｘｐｌｉｃｉｔｌｙ               ｌａｉｄ               ｏｕｔ,               ｔｈｏｕｇｈ               ｔｈａｔ               ｄａｎｇｅｒ               ｍａｙ               ｈａｖｅ               ｂｅｅｎ               ｌｅｓｓ               ｐｒｏｎｏｕｎｃｅｄ               ｗｈｅｎ               Ｈｅｍｉｎｇｗａｙ               ａｎｄ               Ｃａｒｖｅｒ               ｗｅｒｅ               ａｃｔｕａｌｌｙ               ｗｒｉｔｉｎｇ               ｔｈａｎ               ｉｔ               ｉｓ               ｔｏｄａｙ               ｗｉｔｈ               ｔｈｅ               ａｖｅｒａｇｅ               ｒｅａｄｅｒ               ｒａｉｓｅｄ               ｏｎ               ｔｈｅ               ｔｅｌｅｖｉｓｉｏｎ               ａｅｓｔｈｅｔｉｃ               ｏｆ               ｈａｖｉｎｇ               ｅｖｅｒｙｔｈｉｎｇ               ｃａｒｅｆｕｌｌｙ               ｅｘｐｌａｉｎｅｄ               ｔｏ               ｔｈｅｍ.
               Ｔｈｅ               ｆｒｕｓｔｒａｔｉｏｎ               ｌｅｖｅｌ               ｆｏｒ               ｍａｎｙ               ｒｅａｄｅｒｓ               ｗｈｏ               ｐｉｃｋ               ｕｐ               ａ               ｓｔｏｒｙ               ｂｙ               Ｃａｒｖｅｒ               ｏｒ               Ｈｅｍｉｎｇｗａｙ               ｉｓ               ｉｒｏｎｉｃ               ｉｎ               ｔｈａｔ               ｔｈｅ               ｌａｎｇｕａｇｅ               ｉｓ               ｏｆｔｅｎ               ｆａｒ               ｍｏｒｅ               ａｃｃｅｓｓｉｂｌｅ               ｔｈａｎ               ｔｈａｔ               ｏｆ               ｏｔｈｅｒ               ｗｒｉｔｅｒｓ.

Ｔｈｅ               ｆｒｕｓｔｒａｔｉｏｎ               ｔｈｅｒｅｆｏｒｅ               ｃｏｍｅｓ               ｎｏｔ               ｆｒｏｍ               ｔｈｅ               ｈｅｉｇｈｔｅｎｅｄ               ｌｅｖｅｌ               ｏｆ               ｌａｎｇｕａｇｅ,               ｂｕｔ               ｆｒｏｍ               ｔｈｅ               ｆａｃｔ               ｔｈａｔ               ｓｏ               ｌｉｔｔｌｅ               ｉｎｆｏｒｍａｔｉｏｎ               ｓｅｅｍｓ               ｔｏ               ｂｅ               ｇｉｖｅｎ.

Ｔｈｅ               ｍｉｎｉｍａｌｉｓｔ               ａｐｐｒｏａｃｈ               ｃａｎ               ｂｅｓｔ               ｂｅ               ｃｈａｒａｃｔｅｒｉｚｅｄ               ａｓ               ａ               ｓｔｙｌｅ               ｔｈａｔ               ｄｅｖｏｕｔｌｙ               ｓｕｂｓｃｒｉｂｅｓ               ｔｏ               ｔｈｅ               ｃｏｎｃｅｐｔ               ｔｈａｔ               ｌｅｓｓ               ｉｓ               ｍｏｒｅ.

Ｔｈａｔ               ｉｓ               ａ               ｐｈｒａｓｅ               ｔｈａｔ               ｉｓ               ｃａｓｕａｌｌｙ               ｔｏｓｓｅｄ               ａｒｏｕｎｄ               ｗｈｅｎ               ｓｐｅａｋｉｎｇ               ｏｎ               ａ               ｖａｒｉｅｔｙ               ｏｆ               ｍｅｄｉａ,               ｆｒｏｍ               ｓｔａｇｅ               ｐｒｏｄｕｃｔｉｏｎｓ               ｔｏ               ｔｅｌｅｖｉｓｉｏｎ               ｃｏｍｍｅｒｃｉａｌｓ.

Ｂｕｔ               ｗｈａｔ               ｄｏｅｓ               "ｌｅｓｓ               ｉｓ               ｍｏｒｅ"               ｒｅａｌｌｙ               ｍｅａｎ               ｗｈｅｎ               ａｐｐｌｉｅｄ               ｔｏ               ｌｉｔｅｒａｔｕｒｅ?

Ｃｅｒｔａｉｎｌｙ,               ｏｎｅ               ｃａｎ               ｍａｋｅ               ａ               ｃａｓｅ               ｔｈａｔ               ｏｎｅ               ｏｆ               ｔｈｅ               ａｐｐｅａｌｓ               ｔｈｅ               ｇｒｅａｔ               Ｒｕｓｓｉａｎ               ｎｏｖｅｌｉｓｔｓ               ｏｒ               Ｃｈａｒｌｅｓ               Ｄｉｃｋｅｎｓ               ｉｓ               ｔｈａｔ               ｔｈｅｙ               ｐｒｏｖｉｄｅ               ｓｕｃｈ               ａ               ｗｅａｌｔｈ               ｏｆ               ｄｅｎｓｅ               ｉｎｆｏｒｍａｔｉｏｎ               ｔｈａｔ               ｔｈｅｙ               ｅｓｓｅｎｔｉａｌｌｙ               ｐａｉｎｔ               ａ               ｐｉｃｔｕｒｅ               ｉｎ               ｔｈｅ               ｍｉｎｄ               ｎｏｔ               ｕｎｌｉｋｅ               ａ               ｍｏｖｉｅ.

Ｗｈｅｎ               ｍｏｓｔ               19ｔｈ               ｃｅｎｔｕｒｙ               ｗｒｉｔｅｒｓ               ｄｅｓｃｒｉｂｅ               ａ               ｒｏｏｍ,               ｔｈｅ               ａｖｅｒａｇｅ               ｐｅｒｓｏｎ               ｃａｎ               ｐｒｏｂａｂｌｙ               ｉｍａｇｉｎｅ               ｉｔ               ａｌｍｏｓｔ               ａｓ               ｆｕｌｌｙ               ａｓ               ａｎｙ               ｓｅｔ               ｄｅｓｉｇｎｅｒ               ｉｎ               Ｈｏｌｌｙｗｏｏｄ.

Ｔｈｅ               ｉｍａｇｅ               ｔｈａｔ               ｍｏｓｔ               ｐｅｏｐｌｅ               ｈａｖｅ               ｏｆ               Ｖｉｃｔｏｒｉａｎ               Ｌｏｎｄｏｎ               ｃａｎ               ｂｅ               ｔｒａｃｅｄ               ｂａｃｋ               ｔｏ               ｔｈｅ               ｌｕｓｈ               ｄｅｓｃｒｉｐｔｉｏｎｓ               ｏｆ               Ｄｉｃｋｅｎｓ               ａｎｄ               Ａｒｔｈｕｒ               Ｃｏｎａｎ               Ｄｏｙｌｅ'ｓ               Ｓｈｅｒｌｏｃｋ               Ｈｏｌｍｅｓ               ｍｙｓｔｅｒｉｅｓ.

Ｏｎｅ               ｍａｙ               ｗｅｌｌ               ｑｕｅｓｔｉｏｎ,               ｔｈｅｎ,               ｔｈｅ               ｐｏｉｎｔ               ｏｆ               ｍｉｎｉｍａｌｉｓｔ               ｔｅｃｈｎｉｑｕｅ.
               Ｂｅｙｏｎｄ               ｔｈｅ               ｆａｍｉｌｉａｒ               ｐｈｒａｓｅ               "ｌｅｓｓ               ｉｓ               ｍｏｒｅ",               ｏｆ               ｃｏｕｒｓｅ,               ｍｉｎｉｍａｌｉｓｔ               ｔｅｃｈｎｉｑｕｅ               ｃａｎ               ｂｅ               ｃｈａｒａｃｔｅｒｉｚｅｄ               ｂｙ               ａ               ｄｅｓｉｒｅ               ｆｏｒ               ｅｃｏｎｏｍｙ               ｉｎ               ｗｏｒｄ               ｃｈｏｉｃｅ               ｗｈｅｒｅ               ｂｒｅｖｉｔｙ               ｉｓ               ｔｈｅ               ｇｒｅａｔｅｓｔ               ａｃｃｏｍｐｌｉｓｈｍｅｎｔ               ａｎｄ               ｖｅｒｂｏｓｉｔｙ               ｍｕｓｔ               ｂｅ               ａｖｏｉｄｅｄ               ａｔ               ａｌｌ               ｃｏｓｔ.

Ｔｈｅ               ｉｄｅａ               ｉｓ               ｒｅａｌｌｙ               ｔｏ               ｐｒｏｖｉｄｅ               ｊｕｓｔ               ａｓ               ｍｕｃｈ               ｉｎｆｏｒｍａｔｉｏｎ               ｔｏ               ｔｈｅ               ｒｅａｄｅｒ               ａｓ               ｉｓ               ｎｅｃｅｓｓａｒｙ               ａｎｄ               ｔｈｅｎ               ｔｏ               ｉｎｖｉｔｅ               ｈｉｍ               ｔｏ               ｂｅｃｏｍｅ               ａｎ               ａｃｔｉｖｅ               ｐａｒｔｎｅｒ               ｉｎ               ｔｈｅ               ｃｏｍｐｒｅｈｅｎｄｉｎｇ               ｗｈａｔ               ｉｓ               ｒｅａｌｌｙ               ｈａｐｐｅｎｉｎｇ.

Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ               ｉｓ               ｔｙｐｉｃａｌｌｙ               ｇｒａｎｔｅｄ               ｔｈｅ               ｓｔａｔｕｓ               ａｓ               ｐｒｏｇｅｎｉｔｏｒ               ｏｆ               ｔｈｉｓ               ａｐｐｒｏａｃｈ,               ａｎｄ               ｉｆ               ｈｅ               ｗａｓｎ'ｔ               ｔｈｅ               ｆｉｒｓｔ               ｔｈｅｎ               ｈｅ               ｗａｓ               ｃｅｒｔａｉｎｌｙ               ｔｈｅ               ｍｏｓｔ               ｆａｍｏｕｓ.

Ｂｕｔ               ｊｕｓｔ               ａｓ               ｆｏｒｍ               ｆｏｌｌｏｗｅｄ               ｆｕｎｃｔｉｏｎ               ｆｏｒ               Ｄｉｃｋｅｎｓ               ａｎｄ               Ｄｏｙｌｅ               ｗｈｏ               ｈａｄ               ｔｏ               ｐａｄ               ｏｕｔ               ｔｈｅｉｒ               ｓｔｏｒｉｅｓ               ａｓ               ａ               ｒｅｓｕｌｔ               ｏｆ               ｔｈｅｉｒ               ｂｅｉｎｇ               ｓｅｒｉａｌｉｚｅｄ               ｉｎ               ｍａｇａｚｉｎｅｓ               ｏｖｅｒ               ａ               ｐｅｒｉｏｄ               ｏｆ               ｔｉｍｅ,               ｓｏ               ｗａｓ               Ｈｅｍｉｎｇｗａｙ'ｓ               ａｄｏｐｔｉｏｎ               ｏｆ               ｈｉｓ               ｉｃｅｂｅｒｇ               ｔｅｃｈｎｉｑｕｅ               ｒｅｌａｔｅｄ               ｔｏ               ｈｉｓ               ｆｏｒｍａｔｉｖｅ               ｃａｒｅｅｒ               ａｓ               ａ               ｊｏｕｒｎａｌｉｓｔ.

Ａ               ｎｅｗｓｐａｐｅｒ               ｗｒｉｔｅｒ               ｈａｓ               ｌｉｔｔｌｅ               ｃｈｏｉｃｅ               ｂｕｔ               ｔｏ               ｆｉｎｄ               ａ               ｔｅｒｓｅ               ｗａｙ               ｏｆ               ｗｒｉｔｉｎｇ               ａｎｄ               Ｈｅｍｉｎｇｗａｙ               ａｄｏｐｔｅｄ               ａｎｄ               ｔｒａｎｓｍｉｔｔｅｄ               ｔｈｉｓ               ｓｔｙｌｅ               ｉｎｔｏ               ｈｉｓ               ｆｉｃｔｉｏｎ.

Ａｌｓｏ               ｆｉｇｕｒｉｎｇ               ｐｒｏｍｉｎｅｎｔｌｙ               ｉｎ               ｈｉｓ               ａｄｏｐｔｉｏｎ               ｏｆ               ｔｈｉｓ               ｔｅｃｈｎｉｑｕｅ               ｗａｓ               ｉｎｖｅｎｔｉｏｎ               ｏｆ               ｔｈｅ               ｍｏｖｉｅ               ｃａｍｅｒａ.

Ｗｉｔｈ               ｔｈｅ               ａｂｉｌｉｔｙ               ｔｏ               ｆｉｌｍ               ｔｈｉｎｇｓ               ｔｈａｔ               ｍｏｓｔ               ｐｅｏｐｌｅ               ｈａｄ               ｎｅｖｅｒ               ｓｅｅｎ               ｂｅｆｏｒｅ,               ｔｈｅｒｅ               ｗａｓ               ｎｏ               ｌｏｎｇｅｒ               ｔｈｅ               ｎｅｅｄ               ｔｏ               ｄｅｓｃｒｉｂｅ               ｉｎ               ｔｈｅ               ｇｒｅａｔ               ｄｅｔａｉｌ               ｏｆ               ｔｈｅ               19ｔｈ               ｃｅｎｔｕｒｙ               ｎｏｖｅｌｉｓｔｓ.

Ｂｙ               ｔｈｅ               ｔｉｍｅ               Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ               ｂｅｇａｎ               ｗｒｉｔｉｎｇ,               ａ               ｍａｓｓｉｖｅ               ｓｈｉｆｔ               ｉｎ               ｔｈｅ               ａｅｓｔｈｅｔｉｃ               ｓｅｎｓｉｂｉｌｉｔｉｅｓ               ｏｆ               ｒｅａｄｅｒｓ               ｈａｄ               ａｌｒｅａｄｙ               ｔａｋｅｎ               ｐｌａｃｅ.

Ｈｅ               ｃｏｕｌｄ               ｗｒｉｔｅ               ａ               ｓｔｏｒｙ               ｔｈａｔ               ｔｏｏｋ               ｐｌａｃｅ               ｉｎ               Ａｆｒｉｃａ               ｏｒ               Ｅｕｒｏｐｅ               ｓｅｃｕｒｅ               ｉｎ               ｔｈｅ               ｋｎｏｗｌｅｄｇｅ               ｔｈａｔ               ｒｅａｄｅｒｓ               ｗｅｒｅ               ｎｏ               ｌｏｎｇｅｒ               ｄｅｐｅｎｄｅｎｔ               ｕｐｏｎ               ｅｘｃｅｓｓｉｖｅ               ｄｅｓｃｒｉｐｔｉｏｎｓ               ｔｏ               ｆｏｒｍ               ａ               ｍｅｎｔａｌ               ｉｍａｇｅ.
               Ｂｙ               ｔｈｅ               ｔｉｍｅ               Ｈｅｍｉｎｇｗａｙ               ｗｒｏｔｅ               "Ｈｉｌｌｓ               Ｌｉｋｅ               Ｗｈｉｔｅ               Ｅｌｅｐｈａｎｔｓ"               ｈｅ               ｈａｄ               ｊｅｔｔｉｓｏｎｅｄ               ａｎｙ               ｊｏｕｒｎａｌｉｓｔｉｃ               ｒｅａｓｏｎｓ               ｆｏｒ               ｗｒｉｔｉｎｇ               ｉｎ               ａ               ｍｉｎｉｍａｌｉｓｔ               ｓｔｙｌｅ               ａｎｄ               ｈａｄ               ｆｕｌｌｙ               ａｄｏｐｔｅｄ               ｉｔ               ｆｏｒ               ｌｉｔｅｒａｒｙ               ｒｅａｓｏｎｓ.

Ｔｈｉｓ               ｓｔｏｒｙ               ｉｓ               ｔｈｅ               ｕｌｔｉｍａｔｅ               ｔｅｓｔｉｍｏｎｙ               ｔｏ               ｔｈｅ               ｔｒｕｓｔ               ｔｈａｔ               ｗｒｉｔｅｒｓ               ｏｆ               ｍｉｎｉｍａｌｉｓｔ               ｆｉｃｔｉｏｎ               ｇｉｖｅ               ｔｏ               ｔｈｅｉｒ               ｒｅａｄｅｒｓ;               ａｌｍｏｓｔ               ｎｏｔｈｉｎｇ               ｔｈａｔ               ｉｓ               ｔｒｕｌｙ               ｉｍｐｏｒｔａｎｔ               ｔｏ               ｔｈｅ               ｓｔｏｒｙ               ｉｓ               ａｃｔｕａｌｌｙ               ｓａｉｄ.

Ｈｅｍｉｎｇｗａｙ'ｓ               ａｐｐｒｏａｃｈ               ｔｏ               ｍｉｎｉｍａｌｉｓｔ               ｆｉｃｔｉｏｎ               ｉｓ               ｈｅｒｅ               ｃｅｍｅｎｔｅｄ               ｉｎ               ｈｉｓ               ｉｎｓｉｓｔｅｎｃｅ               ｔｏ               ａｖｏｉｄ               ｅｘｐｌａｎａｔｉｏｎｓ.

Ａｎｄ               ｔｈａｔ               ｔｅｃｈｎｉｑｕｅ               ｏｆ               ａｖｏｉｄａｎｃｅ               ｆｉｎｄｓ               ｖｏｉｃｅ               ｉｎ               ｔｈｅ               ｃｈａｒａｃｔｅｒ               ｏｆ               Ｊｉｇ               ｗｈｏ               ｉｓ               ａｓ               ｓｔｕｂｂｏｒｎ               ｉｎ               ｈｅｒ               ｒｅｆｕｓａｌ               ｔｏ               ｄｉｓｃｕｓｓ               ｔｈｅ               ｉｓｓｕｅ               ｏｆ               ｔｈｅ               ａｂｏｒｔｉｏｎ               ａｓ               ｉｓ               Ｈｅｍｉｎｇｗａｙ'ｓ               ｒｅｆｕｓａｌ               ｔｏ               ｂｅ               ｍｏｒｅ               ｅｘｐｌｉｃｉｔ.

Ｔｈｅ               ｓｕｂｊｅｃｔ               ｏｆ               ｔｈｅ               ｓｔｏｒｙ               ａｌｓｏ               ｌｅｎｄｓ               ｉｔｓｅｌｆ               ｔｏ               ｔｈｅ               ｉｃｅｂｅｒｇ               ｔｅｃｈｎｉｑｕｅ               ａｓ               ａ               ｓｔｏｒｙ               ａｂｏｕｔ               ａｎ               ｕｎｍａｒｒｉｅｄ               ｗｏｍａｎ               ｈａｖｉｎｇ               ａｎ               ａｂｏｒｔｉｏｎ               ｐｒｏｂａｂｌｙ               ｃｏｕｌｄ               ｎｏｔ               ｈａｖｅ               ｂｅｅｎ               ｓｕｃｃｅｓｓｆｕｌｌｙ               ｐｕｂｌｉｓｈｅｄ               ｕｎｌｅｓｓ               ｉｔ               ｗａｓ               ｅｌｌｉｐｔｉｃａｌｌｙ               ｄｏｎｅ.

Ｔｈａｔ,               ｉｎ               ｆａｃｔ,               ｉｓ               ｏｎｅ               ｏｆ               ｔｈｅ               ｓｔａｒｋ               ｄｉｆｆｅｒｅｎｃｅｓ               ｂｅｔｗｅｅｎ               Ｈｅｍｉｎｇｗａｙ               ａｎｄ               Ｒｏｂｅｒｔ               Ｃａｒｖｅｒ.

Ｒｏｂｅｒｔ               Ｃａｒｖｅｒ'ｓ               ｍｉｎｉｍａｌｉｓｔ               ｔｅｃｈｎｉｑｕｅ               ｗａｓ               ｅｎｔｉｒｅｌｙ               ｂｙ               ｃｈｏｉｃｅ;               Ｈｅｍｉｎｇｗａｙ               ｔｏ               ａ               ｃｅｒｔａｉｎ               ｅｘｔｅｎｔ               ｈａｄ               ｉｔ               ｔｈｒｕｓｔ               ｕｐｏｎ               ｈｉｍ.
               Ｉｎ               ａｄｄｉｔｉｏｎ               ｔｏ               ｃｅｒｔａｉｎ               ｉｍｐｏｓｉｔｉｏｎｓ               ｏｆ               ｃｅｎｓｏｒｓｈｉｐ               ｔｏ               ｗｈｉｃｈ               Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ'ｓ               ｍｉｎｉｍａｌｉｓｔ               ｔｅｃｈｎｉｑｕｅ               ｏｗｅｓ               ａ               ｇｒｅａｔ               ｄｅａｌ,               ａｎｏｔｈｅｒ               ｋｅｙ               ｅｌｅｍｅｎｔ               ｔｈａｔ               ｓｈａｐｅｄ               ｈｉｓ               ｗｒｉｔｉｎｇ               ｗｅｒｅ               ｔｈｅ               ｔｈｅｍｅｓ               ｉｎｈｅｒｅｎｔ               ｉｎ               ｔｈｅ               Ｍｏｄｅｒｎｉｓｔ               ｍｏｖｅｍｅｎｔ.

Ｔｈｅ               ｉｄｅａｓ               ｏｆ               ｄｉｓｉｌｌｕｓｉｏｎｍｅｎｔ,               ａｌｉｅｎａｔｉｏｎ               ａｎｄ               ｔｈｅ               ｃｏｎｆｕｓｉｏｎ               ｏｆ               ａ               ｒａｐｉｄｌｙ               ｃｈａｎｇｉｎｇ               ｗｏｒｌｄ               ａｒｅ               ｅｘｐｒｅｓｓｅｄ               ｉｎ               "Ｈｉｌｌｓ               Ｌｉｋｅ               Ｗｈｉｔｅ               Ｅｌｅｐｈａｎｔｓ"               ｉｎ               ｔｈｅ               ｉｎａｂｉｌｉｔｙ               ｏｆ               ｔｈｅ               ｍａｎ               ａｎｄ               ｗｏｍａｎ               ｔｏ               ｅｆｆｅｃｔｉｖｅｌｙ               ｃｏｍｍｕｎｉｃａｔｅ               ｏｒ               ｆｕｌｌｙ               ｕｎｄｅｒｓｔａｎｄ               ｔｈｅｉｒ               ｐｒｅｄｉｃａｍｅｎｔ.

Ｔｈｅ               ｐｒｅｇｎａｎｃｙ               ｔｈａｔ               ｆｏｒｅｖｅｒ               ｃｈａｎｇｅｓ               ｔｈｅ               ｒｅｌａｔｉｏｎｓｈｉｐ               ｂｅｔｗｅｅｎ               ｔｈｅ               ｍａｎ               ａｎｄ               ｔｈｅ               ｗｏｍａｎ               ｒｅｆｌｅｃｔｓ               ｔｈｅ               ｍｏｄｅｒｎｉｔｙ               ｏｆ               20ｔｈ               ｃｅｎｔｕｒｙ               ｓｏｃｉｅｔｙ               ｉｎ               ｗｈｉｃｈ               ｅｖｅｎｔｓ               ｕｎｆｏｌｄ               ａｔ               ａ               ｆａｓｔｅｒ               ｐａｃｅ               ａｎｄ               ｄｉｓａｓｔｅｒ               ｃａｎ               ａｌｗａｙｓ               ｂｅ               ｗａｉｔｉｎｇ               ａｒｏｕｎｄ               ｔｈｅ               ｃｏｒｎｅｒ.

Ｈｅｍｉｎｇｗａｙ'ｓ               ｐｒｏｓｅ               ｉｓ               ｓｔａｒｋ,               ｒｅｆｌｅｃｔｉｎｇ               ｔｈｅ               ｉｎａｂｉｌｉｔｙ               ｏｆ               ｍｏｄｅｒｎ               ｍａｎ               ｔｏ               ｆｕｌｌｙ               ｃｏｍｐｒｅｈｅｎｄ               ｔｈｅ               ｃｈａｎｇｅｓ               ｔａｋｉｎｇ               ｐｌａｃｅ               ａｒｏｕｎｄ               ｈｉｍ.

Ａｎｄ               ｔｈｅ               ｄｅｖａｓｔａｔｉｏｎ               ｏｆ               ｔｈｅ               ｒｅｌａｔｉｏｎｓｈｉｐ               ｂａｓｅｄ               ｏｎ               ｔｈｅ               ｓｕｒｐｒｉｓｅ               ｐｒｅｇｎａｎｃｙ               ａｎｄ               ｔｈｅ               ｃｈａｒａｃｔｅｒｓ'               ｃｏｎｆｕｓｉｏｎ               ｏｖｅｒ               ｈｏｗ               ｔｏ               ｄｅａｌ               ｗｉｔｈ               ｉｓ               ｒｅｆｌｅｃｔｅｄ               ｉｎ               ｔｈｅ               ｔｅｒｓｅ               ｎａｒｒａｔｉｏｎ               ｔｈａｔ               ａｌｍｏｓｔ               ｓｅｅｍｓ               ｔｏ               ｂｅ               ｍｏｒｅ               ａｎ               ｅｆｆｅｃｔ               ｏｆ               ｎｏｔ               ｋｎｏｗｉｎｇ               ｈｏｗ               ｔｏ               ｗｒｉｔｅ               ａｂｏｕｔ               ｉｔ               ｔｈａｎ               ａ               ｌｉｔｅｒａｒｙ               ｃｈｏｉｃｅ.
               Ｒａｙｍｏｎｄ               Ｃａｒｖｅｒ               ｄｉｄ               ｎｏｔ               ｃｏｍｅ               ｏｕｔ               ｏｆ               ｔｈｅ               Ｍｏｄｅｒｎｉｓｔ               ｍｏｖｅｍｅｎｔ               ａｎｄ               ｔｈｅ               ａｌｉｅｎａｔｉｏｎ               ｈｅ               ｗｒｉｔｅｓ               ａｂｏｕｔ               ｉｓ               ｎｏｔ               ｏｎｅ               ｏｆ               ｇｅｏｇｒａｐｈｉｃ               ｅｘｐａｔｒｉａｔｉｏｎ               ｉｎ               ａ               ｆｕｔｉｌｅ               ａｔｔｅｍｐｔ               ｔｏ               ｃｏｎｎｅｃｔ,               ｂｕｔ               ｉｎｓｔｅａｄ               ｒｅｆｌｅｃｔｓ               ｔｈｅ               ｆｅｅｌｉｎｇ               ｏｆ               Ａｍｅｒｉｃａ               ｆｏｌｌｏｗｉｎｇ               ａ               ｓｅｃｏｎｄ               Ｗｏｒｌｄ               Ｗａｒ.

Ｕｎｌｉｋｅ               Ｈｅｍｉｎｇｗａｙ'ｓ               ｃｈａｒａｃｔｅｒｓ               ｗｈｏ               ａｒｅ               ｍｏｓｔｌｙ               ｅｍｉｇｒａｎｔｓ               ｆｒｏｍ               Ａｍｅｒｉｃａ,               Ｃａｒｖｅｒ'ｓ               ｃｈａｒａｃｔｅｒｓ               ａｒｅ               ｓｉｔｕａｔｅｄ               ｉｎ               ａ               ｓｏｃｉｅｔｙ               ｔｈａｔ               ｈａｓ               ｄｉｓｃｏｖｅｒｅｄ               ｉｔｓｅｌｆ               ｔｏ               ｂｅ               ｓｕｄｄｅｎｌｙ               ｔｈｅ               ｍｏｓｔ               ｉｍｐｏｒｔａｎｔ               ｃｏｕｎｔｒｙ               ｉｎ               ｔｈｅ               ｗｏｒｌｄ.

Ｒｏｂｅｒｔ               Ｃａｒｖｅｒ'ｓ               ｃｈａｒａｃｔｅｒｓ               ｒｅｌａｔｅ               ｔｏ               Ａｍｅｒｉｃａ               ｉｎ               ａｎ               ｅｎｔｉｒｅｌｙ               ｄｉｆｆｅｒｅｎｔ               ｗａｙ               ｔｈａｎ               Ｈｅｍｉｎｇｗａｙ'ｓ;               ｎｏ               ｌｏｎｇｅｒ               ｂｏｕｎｄ               ｂｙ               ｃｅｎｓｏｒｓｈｉｐ,               ｔｈｅｉｒ               ｆｏｉｂｌｅｓ               ａｎｄ               ｆａｉｌｉｎｇｓ               ｃａｎ               ｂｅ               ｅｘｐｒｅｓｓｅｄ               ｏｎ               ｔｈｅ               ｓｕｒｆａｃｅ.

Ｈｏｗｅｖｅｒ,               ｊｕｓｔ               ｂｅｃａｕｓｅ               ｈｉｓ               ｃｈａｒａｃｔｅｒｓ               ｍａｙ               ｂｅ               ａｂｌｅ               ｔｏ               ｔａｌｋ               ａｂｏｕｔ               ｓｕｃｈ               ｔｈｉｎｇｓ               ａｓ               ａｂｏｒｔｉｏｎｓ,               ｔｈａｔ               ｄｏｅｓｎ'ｔ               ｎｅｃｅｓｓａｒｉｌｙ               ｍｅａｎ               ｔｈａｔ               ｔｈｅｙ               ｗｉｌｌ.

Ｉｆ               Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ               ｃｈｏｓｅ               ｎｏｔ               ｔｏ               ｓｐｅｃｉｆｉｃａｌｌｙ               ａｄｄｒｅｓｓ               ｓｐｅｃｉｆｉｃ               ｉｓｓｕｅｓ               ｉｎ               ｈｉｓ               ｓｔｏｒｉｅｓ               ｐａｒｔｉａｌｌｙ               ｏｕｔ               ｏｆ               ｓｏｃｉｅｔａｌ               ｃｏｎｖｅｎｔｉｏｎｓ,               ｗｈｅｎ               Ｒａｙｍｏｎｄ               Ｃａｒｖｅｒ'ｓ               ｃｈａｒａｃｔｅｒｓ               ｄａｎｃｅ               ａｒｏｕｎｄ               ａｎ               ｉｓｓｕｅ               ｉｔ               ｉｓ               ｗｈｏｌｌｙ               ｂｅｃａｕｓｅ               ｈｅ               ｗａｎｔｓ               ｉｔ               ｔｈａｔ               ｗａｙ.

Ａｎ               ｅｘｃｅｌｌｅｎｔ               ｅｘａｍｐｌｅ               ｏｆ               ｔｈｅ               ｄｉｆｆｅｒｅｎｃｅｓ               ｂｅｔｗｅｅｎ               Ｈｅｍｉｎｇｗａｙ               ａｎｄ               Ｃａｒｖｅｒ               ｃａｎ               ｂｅ               ｆｏｕｎｄ               ｉｎ               "Ｗｈａｔ               Ｗｅ               Ｔａｌｋ               Ａｂｏｕｔ               Ｗｈｅｎ               Ｗｅ               Ｔａｌｋ               Ａｂｏｕｔ               Ｌｏｖｅ."               Ａｌｔｈｏｕｇｈ               ａｌｃｏｈｏｌ               ｃｏｎｓｕｍｐｔｉｏｎ               ｃｅｒｔａｉｎｌｙ               ｐｌａｙｓ               ａ               ｓｉｇｎｉｆｉｃａｎｔ               ｐａｒｔ               ｉｎ               ｔｈｅ               ｄｅｖｅｌｏｐｍｅｎｔ               ｏｆ               ｒｅｌａｔｉｏｎｓｈｉｐｓ               ｂｅｔｗｅｅｎ               ｍｅｎ               ａｎｄ               ｗｏｍｅｎ               ｉｎ               Ｈｅｍｉｎｇｗａｙ'ｓ               ｓｔｏｒｉｅｓ,               ｔｈｅ               ｓｐｅｃｔｅｒ               ｏｆ               ａｌｃｏｈｏｌｉｓｍ               ｎｅｖｅｒ               ａｓ               ｅｘｐｌｉｃｉｔｌｙ               ｄｅｌｉｎｅａｔｅｄ               ａｓ               ｉｎ               Ｃａｒｖｅｒ'ｓ               ｔａｌｅ.

Ｔｈｅ               ｓｔｏｒｙ               ｂｅｇｉｎｓ               ａｌｍｏｓｔ               ｉｎｎｏｃｅｎｔｌｙ,               ｗｉｔｈ               ｆｏｕｒ               ｓｏｂｅｒ               ｐｅｏｐｌｅ               ｄｉｓｃｕｓｓｉｎｇ               ｔｈｅ               ｍｅａｎｉｎｇ               ｏｆ               ｌｏｖｅ               ａｎｄ               ｅｎｄｓ               ｗｉｔｈ               ｆｏｕｒ               ａｌｃｏｈｏｌｉｃｓ               ｒｅｖｅａｌｉｎｇ               ａｎ               ｕｔｔｅｒ               ｉｎａｂｉｌｉｔｙ               ｔｏ               ｃｏｍｍｕｎｉｃａｔｅ               ｏｒ               ｃｏｎｎｅｃｔ               ｉｎ               ａｎｙ               ｍｅａｎｉｎｇｆｕｌ               ｗａｙ.

Ｈｏｗｅｖｅｒ,               Ｃａｒｖｅｒ'ｓ               ｔｅｃｈｎｉｑｕｅ               ｉｓ               ｑｕｉｔｅ               ｓｉｍｉｌａｒ               ｔｏ               Ｈｅｍｉｎｇｗａｙ'ｓ               ｉｎ               ｔｈａｔ               ａｖｏｉｄｓ               ｏｖｅｒｗｒｉｔｉｎｇ               ｔｈｉｓ               ｃｏｎｖｅｒｓｉｏｎ               ｆｒｏｍ               ｓｏｂｒｉｅｔｙ               ｔｏ               ｄｒｕｎｋｅｎｎｅｓｓ.

Ｔｈａｔ               Ｃａｒｖｅｒ               ｈａｓ               ｔｈｅ               ａｄｖａｎｔａｇｅ               ｏｆ               ｂｅｉｎｇ               ａｂｌｅ               ｔｏ               ｗｒｉｔｅ               ｏｐｅｎｌｙ               ａｂｏｕｔ               ｉｓｓｕｅｓ               ｔｈａｔ               Ｈｅｍｉｎｇｗａｙ               ｃｏｕｌｄｎ'ｔ,               ａｎｄ               ｔｈａｔ               ｈｅ               ｃｏｎｓｃｉｏｕｓｌｙ               ｗｉｔｈｈｅｌｄ               ｈｉｍｓｅｌｆ               ｆｒｏｍ               ｔａｋｉｎｇ               ｔｈａｔ               ａｄｖａｎｔａｇｅ,               ｃａｎ               ｂｅ               ｓｅｅｎ               ｉｎ               ｔｈｅ               ｓｔｏｒｙ               "Ｖｉｅｗｆｉｎｄｅｒ."               Ｔｈｉｓ               ｓｔｏｒｙ               ｉｓ               ａｎ               ｅｘｃｅｌｌｅｎｔ               ｅｘａｍｐｌｅ               ｏｆ               ｈｏｗ               Ｃａｒｖｅｒ               ｅｎｇａｇｅｓ               ｔｈｅ               ｍｉｎｉｍａｌｉｓｔ               ａｐｐｒｏａｃｈ               ｎｏｔ               ｏｕｔ               ｏｆ               ｎｅｃｅｓｓｉｔｙ               ｂｕｔ               ｐｕｒｅｌｙ               ｆｏｒ               ａｒｔｉｓｔｉｃ               ｒｅａｓｏｎｓ;               ｉｔ               ｉｓ               ｉｎｄｉｃａｔｉｖｅ               ｏｆ               ｈｉｓ               ｃｈｏｉｃｅ               ｔｏ               ｈｉｇｈｌｉｇｈｔ               ｈｉｓ               ｔｈｅｍｅ               ｔｈｒｏｕｇｈ               ｄｉｓｓｏｃｉａｔｉｖｅ               ｔｅｃｈｎｉｑｕｅｓ               ｔｈａｔ               ｔｈｒｏｗ               ｒｅｌｉｅｆ               ｏｎ               ｔｈｅ               ｐｓｙｃｈｏｌｏｇｙ               ｏｆ               ｃｈａｒａｃｔｅｒｓ               ｂｙ               ｔｈｒｏｗｉｎｇ               ｔｈｅｍ               ｉｎｔｏ               ｓｉｔｕａｔｉｏｎｓ               ｗｉｔｈ               ｏｔｈｅｒ               ｃｈａｒａｃｔｅｒｓ               ｔｈａｔ               ｆｏｒｃｅ               ｔｈｅｍ               ｔｏ               ｃｏｎｆｒｏｎｔ               ｔｈｅｉｒ               ｏｗｎ               ｆａｉｌｉｎｇｓ.
               Ｔｈｉｓ               ｔｅｃｈｎｉｑｕｅ               ｐｒｏｖｉｄｅｓ               ａｎｏｔｈｅｒ               ｃｏｎｔｒａｓｔ               ｂｅｔｗｅｅｎ               Ｈｅｍｉｎｇｗａｙ               ａｎｄ               Ｃａｒｖｅｒ;               ｗｈｅｒｅ               Ｈｅｍｉｎｇｗａｙ'ｓ               ｐｒｏｓｅ               ｒｅｐｒｅｓｅｎｔｓ               ｔｈｅ               ｓｔｒｕｇｇｌｅ               ｆｏｒ               ｃｏｍｍｕｎｉｃａｔｉｏｎ               ｔｈａｔ               ａｌｌ               ｔｏｏ               ｏｆｔｅｎ               ｅｎｄｓ               ｕｐ               ｉｎ               ｍｉｓｃｏｍｍｕｎｉｃａｔｉｏｎ,               Ｃａｒｖｅｒ'ｓ               ｂａｒｅ               ｂｏｎｅｓ               ａｐｐｒｏａｃｈ               ｒｅｐｒｅｓｅｎｔｓ               ｔｈｅ               ｄｉｆｆｉｃｕｌｔｙ               ｔｈａｔ               ｌａｎｇｕａｇｅ               ｏｆｔｅｎ               ｐｒｅｓｅｎｔｓ               ｉｎ               ａｌｌｏｗｉｎｇ               ｐｅｏｐｌｅ               ｔｏ               ｂｅｔｔｅｒ               ｕｎｄｅｒｓｔａｎｄ               ｅａｃｈ               ｏｔｈｅｒ.

Ｔｈｅ               ｍｉｎｉｍａｌｉｓｔ               ｔｅｃｈｎｉｑｕｅｓ               ｅｍｐｌｏｙｅｄ               ｂｙ               Ｅｒｎｅｓｔ               Ｈｅｍｉｎｇｗａｙ               ａｎｄ               Ｒｏｂｅｒｔ               Ｃａｒｖｅｒ               ｓｈａｒｅ               ｔｈｅ               ｓｉｍｉｌａｒｉｔｙ               ｏｆ               ｔａｋｉｎｇ               ｔｈｅ               ｌｅｓｓ               ｉｓ               ｍｏｒｅ               ａｐｐｒｏａｃｈ               ｔｏ               ｗｒｉｔｉｎｇ.

Ｂｕｔ               ｔｈｅ               ｍａｎｎｅｒ               ｏｆ               ｅｘｅｃｕｔｉｏｎ               ｉｓ               ｏｆｔｅｎ               ｉｎ               ｓｔａｒｋ               ｃｏｎｔｒａｓｔ.






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      11. Sherlock Holmes Mysteries - Blog Homepage Results

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      http://sherlockholmesosbornehousewalkthrough.blogspot.com/
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      http://shatasm.blogspot.com/
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